News

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Eddie and the Eagles: KOPIE

ByOscar Jan Hoogland Media, Uncategorized, Video

This time Eddie the Eagle Museum and Doek are presenting something exquisite, something that has never been done before, something new:
THE COPY

Thursday Februari 13th. 21:00 @ OT301.
With a real fat version of the Amsterdam Real Book! in spiegelbeeld:

John Dikeman sax
Michael Moore clarinet
Mikael Szafirowski guitar
Gerri Jaeger drums
Ernst Glerum bass
Onno Govaert drums
Oscar Jan Hoogland piano
Felicity Provan trumpet
Yedo Gibson sax

Of course we’ll put the tune Copycat by Sean Bergin on the setlist.…

Doek @ Zaal 100 Australian Special

ByJohn Dikeman News

Sunday January 26, 20:00, Zaal 100

Aboriginal Flag
Doek will be celebrating Jan 26 aka Australia Day aka Invasion Day as part of the Doek @ Zaal series presented at Zaal 100. Entrance is free, as always for these Sundays. There will be authentic Australian edibles (or drinkables) provided by none other than Carolyn Muntz and Kerry Finlayson! Pianist Walter Lampe will be there to please the ears during the dish. Mime artist and improviser Eva Kijlstra will do a short performance. Kijlstra: “I was born in the Netherlands but grew up in the countryside in Australia.…

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Cactus Truck – Scattered Ghosts tape release concert in Antwerpen: Jan 17

ByJohn Dikeman Image, Media, News

Scattered GhostsCactus Truck is releasing their second cassette tape, Scattered Ghosts, January 17. It features two live performances, one from the Young VIP tour concert in Dordrecht featuring Peter Jacquemyn on bass, and another from the 12 Points festival in Ireland. For this performance at Factor 44, Cactus Truck will be biggified with the addition of Peter Jacquemyn, Gerard Herman, Tom en Cel Overberghe, and more tba
.…

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2solos2 Wilbert de Joode & Nora Mulder @ Splendor

ByJohn Dikeman News, Uncategorized

2solos2

Eric Wilbert Nora

Sunday 16th February 15:00
Splendor Amsterdam “Nora Op Zondag”

Wilbert de Joode – double bass
Nora Mulder – piano

Can you move and be still at the same time? How much can you leave out? How important is the instrument’s physical aspect? Improvised and composed music – more about differences or more about similarities? Over these questions you could fill many books, hold days of symposia and have many a sleepless night. You could also put together a concert. Those who’ve heard satisfying answers to all these questions by the end of the programme are fortunate indeed!…