Month: September 2015

Tangos for Buñuel

ByOscar Jan Hoogland Uncategorized

EYE
Tuesday 6 October
19:15 –

Un chien andalou, Luis Buñuels masterpiece from 1929 with tango music by Natalio Sued and Oscar Jan Hoogland.

Natalio Sued voice and clarinet
Oscar Jan Hoogland piano

 

 

Surrealism in Mexico

It’s an annual treat in EYE on Art’s Masters of the Avantgarde series: the screening of the first surrealist film, Un chien andalou, Luis Buñuel’s masterpiece of 1929 which he co-scripted with Salvador Dalí. A special detail: surrealist leader André Breton showed the film as he was touring Mexico, where he also encountered Leon Trotsky.…

DOEK @ ZAAL – September 27, shhhhhh live recording!

ByJohn Dikeman Uncategorized

LV_20130403_11Doek @ Zaal 100
Sunday 27 September
20:00 – free entry!

Luis Vicente – trumpet
John Dikeman – saxophone
Wilbert de Joode – bass
Onno Govaert – drums

This month we will be doing a live recording in Zaal 100 with a quartet chosen by Portuguese trumpet monster Luis Vicente. It could be argued that live performance is the ideal environment for recording improvised music. So much of the music draws on the energy of the room and the audience. Come be a part of the process and hear this quartet in action!…

Moore Hoogland Sued for Munch film

ByOscar Jan Hoogland Uncategorized

Van Gogh Museum
Friday 25 September
16:00

Natalio Sued and Michael Moore – clarinet
Oscar Jan Hoogland old 78rpm phonograph

Edvard Munch made a very curious film full of dizzy spinning and blurry camera work. This film will be the opening of a weekend program at Van Gogh Museum full of art music and performances.

Live music by Moore Hoogland and Sued.…

EYE on Art: Time, forwards! Soviet Constructivist Cinema feat. ZEA!

ByOscar Jan Hoogland News

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EYE
Tuesday September 15
19:15
ZEA’s website

Time, forwards! Soviet Constructivist Cinema
with live music by Arnold de Boer (ZEA/The Ex) guitar and electronics

An evening on constructivism and films from the Soviet Union – from the beginnings of the artists’ group LEF in the wake of the Russian Revolution to the period after 1965 when these industrial aesthetics were again invoked.
Sviridov’s orchestral suite ‘Time, Forwards’ provided the basis for this ‘revival’ of constructivism. It is one of the emblematic music pieces from the Soviet era and became a sort of calling card for the USSR.…